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What Universal's latest cuts mean for the artists still signed there
Labels & Industry

What Universal's latest cuts mean for the artists still signed there

Def Jam CEO Tunji Balogun and Interscope's two presidents of A&R are leaving in the last round of a $270 million cost-cutting plan. For artists, the risk is losing the person who signed them.

Universal Music Group started the last round of its $270 million cost-cutting plan on October 14. Def Jam CEO Tunji Balogun leaves by the end of the year, and Interscope Geffen A&M is losing both of its presidents of A&R, Nicole Wyskoarko and Sam Riback. In the UK, Polydor president Ben Mortimer and UMG UK chief artist and strategy officer Rebecca Allen are out too, Music Business Worldwide reported.

Universal said its "industry-leading investment in artist development has always guided that work and will continue to do so." Artists on those rosters now have to find out who is left to push their records.

Losing the person who signed you

A lot of deals start with one person. An A&R hears the record, brings it to the label and keeps pushing it through release. When that person leaves, the artist gets handed to someone who did not sign them and may not have room on their slate.

In an earlier round of label layoffs, Billboard reported that executives expected some acts would not have their options picked up afterward, because nobody left inside would argue to keep them.

Stalled projects

An option means the label can choose whether to put out your next record. It is not required to. United Musicians and Allied Workers explains in its recording contract FAQ that a record only becomes a guaranteed release once the label picks up the option. Until then, an album can sit finished and unreleased while a new team decides what it wants.

Projects already moving can stall too. Release dates, marketing plans and features get reviewed again when the people who approved them are gone.

What your contract can do

A key person clause is the tool built for this. UMAW describes it as a clause that lets an artist exit the deal if the person who signed them leaves the label. Labels resist it, so it usually has to be won at signing.

Without one, the leverage sits in the contract you already have. UMAW points to release commitments as the other protection: a clause that requires the label to put out a delivered album within a set window, with the right to exit if it does not.

If you are on one of these rosters, ask three things now: who your new point person is, whether your release date still stands, and when your next option is due.

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